Juan Ortiz has created 4 new TOS Retro Art Prints, which are available now.
Star Trek.com chatted with the artist. Here’s what he had to say:
Let’s start with “Arena.” You went with very basic colours here. What went into that choice? – Star Trek.com
Ortiz: Normally, I would have filled in the silhouette and left the background bare, but I took some chances with this project and went with decisions that I normally wouldn’t go with. Most of my commercial work is filled with bright, bold colours in a sea or products that all scream “buy me,” but for myself, I prefer Earth tones.
The Gorn is far more lizard-like and modern than the plodding creature in the episode. What led you to depict him so differently? – Star Trek.com
Ortiz: Fortunately for Captain Kirk, his Gorn moved in slow motion. My Gorn represents what he may have looked like if TOS had today’s budget and special effects technology. The inspiration came from the sword and sorcery paintings that I used to ogle over as a teen, by Frank Frazetta.
“The Naked Time”
What were you aiming for with “The Naked Time” print? – Star Trek.com
Ortiz: First and foremost, I wanted a strong graphic image. I opted for the opening and final scenes where crewman Joe Tormolen comes into contact with the virus and the Enterprise’s plummet at the end of the episode. I literally took my idea from the title and “stripped” off the outer layer of crewman Tormolen’s own hand to expose the hand of time and space. The skull could either be a foreshadow of Tormolen’s death or it could be a representation of the affliction reflecting off his visor.
“A Taste of Armageddon”
Our favourite of the four this month is “A Taste of Armageddon.” It’s so vivid and stark, and we love the bold colour for the show’s title and phaser beam. Plus, you use photographs. Take us through crafting this one. – Star Trek.com
Ortiz: My initial idea was to depict a face for the computer console with view-screens for eyes, which is why I went with photos for this one. I eventually replaced the face idea with a skull to best represent that episode’s story. I played around with the red accent colour and decided to keep it simple with just the show title and phaser beam. The use of the title for teeth is nothing new, but if something works, it’s worth doing again.
“Spectre of the Gun”
Do you remember the instant you decided to use guns as part of the Enterprise for “Spectre”? How much of an a-ha moment was that? – Star Trek.com
Ortiz: My very first idea was to create a “wanted” type poster, but I felt it would be a bit too cliche and not a serious depiction of that episode. The guns make a broader and more serious statement. I’m not sure that the use of the guns was an a-ha moment as much as an “I wonder if this has ever been done?” moment. As far as I know, it hasn’t, but if the Enterprise can be a pizza cutter, it can be anything.
Of the four, if we only let you put one on your own wall, which would it be… and why? – Star Trek.com
Ortiz: It would have to be “A Taste Of Armageddon” for the skull and images of Kirk and Spock, of course.
QMx will offer the four prints as a set of plated-printed lithographs on 100-pound, aqueous-coated, satin-finish paper. Each print measures 18 inches x 24 inches.
All four prints are just $34.95. Pre-order now in the US and Canada at QMxOnline.com
Pyramid will have the images available in the UK on Wood for £39.99 (43x59cm) and £49.99 (45x76cm), Canvas for £59.99 (60x80cm) and as Framed Art Prints at £49.99 (60x80cm).
Original source Star Trek.com